Photography
Use Apple Pro Apps? Time to Update.
Thursday, March 04 ,2010
Use FCP, Aperture or Logic? Be sure to download the Apple ProKit 5.1 update to fix memory leaks –
About ProKit 5.1 (Leopard & SnowLeopard)
This ProKit Update fixes issues with user interface software resources that are shared by Apple's professional applications.
Get it here – http://support.apple.com/kb/DL1008
About ProKit 5.1 (Leopard & SnowLeopard)

This ProKit Update fixes issues with user interface software resources that are shared by Apple's professional applications.
- The issues addressed include:
- Corrected an issue with improper scrolling behavior.
- Resolved memory leaks for improved performance.
- Addressed layout of interface elements in certain application alert windows.
Get it here – http://support.apple.com/kb/DL1008
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iPhone Photo and App Contest
Friday, February 26 ,2010

Adorama is running an iPhone photo contest until February 28th. You can upload photos here or photo for your favorite photo app here. There's been some great photos submitted so far – Click here. They have some pretty cool prizes too!
How to Automatically Add Copyright Metadata in Aperture 3
Wednesday, February 24 ,2010
Learn how to add copyright information to your videos upon import with Aperture 3. Just a short tip (banged out in the basement with my new Yeti mic to give it a test).
Apple Updates Aperture and Digital Camera Support
Wednesday, February 24 ,2010

About Aperture 3.0.1
This update improves overall stability and addresses a number of issues in Aperture 3, including:
- Upgrading libraries from earlier versions of Aperture
- Importing libraries from iPhoto
- Importing photos directly from a camera
- Memory usage when processing heavily-retouched photos
- Face recognition processing
- Adding undetected faces using the Add Missing Face button
- Printing pages containing multiple images
- Printing photos and contact sheets with borders and metadata
- Editing photos using an external editor
- Display of images with Definition and Straighten adjustments applied
- Zooming photos in the Viewer and in the Loupe using keyboard shortcuts
- Accessing Aperture libraries on a network volume Selecting and moving pins on the Places map
- Adding and editing custom locations using the Manage My Places window
- Switching between masters when working with RAW+JPEG pairs.
The Digital Camera update also added several new cameras to Aperture and iPhoto.
- Hasselblad H3DII-50
- Leica M9
- Leica X1
- Olympus E-P1
- Olympus E-P2
- Panasonic Lumix DMC-GF1
- Pentax K-7
- Pentax K-x
- Sony Alpha DSLR-A500
- Sony Alpha DSLR-A550
- Sony Alpha DSLR-A850
Startup Memories of Adobe Photoshop
Friday, February 19 ,2010
In this documentary, the founders of Adobe Photoshop - John Knoll, Thomas Knoll, Russell Brown, and Steve Guttman - tell the story of how an amazing coincidence of circumstances, that came together at just the right time 20 years ago, spawned a cultural paradigm shift unparalleled in our lifetime.
Shooting JPEG vs. Raw
Sunday, January 31 ,2010
When digital cameras became commercially available, the memory cards used to store pictures were very expensive. Photographers could not afford multiple or high-capacity cards, so they wanted more images to fit on a single, smaller card. Smaller file sizes would also enable consumers who lacked an understanding of digital imaging to attach photos to email with minimum technical headaches.
With these two scenarios in place, manufacturers turned to an Internet-friendly format, JPEG. It was a proven technology, and one that was familiar to many users. A JPEG file looks for areas where pixel detail is repeated, such as the color white on every key of your computer keyboard. The file then discards repeated information and tells the computer to repeat certain color values or data to re-create the image. The drawback is that a JPEG file is lossy, so every time you modify it and re-save, additional compression is applied to the image.
Newer digital cameras, generally the pro models, offer newer formats, usually called raw. These raw (or native) formats have several benefits over shooting to JPEG. The images are usually captured at a higher bit depth, which means that the pixels contain more information about the color values in the image. Most raw files have a depth of 10, 12, or even 16-bits per channel instead of the 8 used by JPEG. This raw format also has a greater tonal range, resulting in better exposure for shadows and highlights.

The image on the left is how the camera captured a JPEG. Making adjustments to the image is possible, but will lead to more degradation in image quality. The image on the right is a properly developed raw file. Working with raw files gives you access to greater control over an image.
The raw file captures the unprocessed data from the camera’s image sensor. While your camera may contain settings for sharpness, exposure, or lighting conditions, the raw file stores that info as modifiable information and captures the original (unmodified) data that came through your camera’s sensors. Each manufacturer treats the format differently, using a proprietary format. Fortunately, Photoshop and Aperture frequently update their raw technology to support the newest cameras on the market.
Because the raw data is unprocessed, you must essentially “develop” the image data within Photoshop or Aperture. You can choose to adjust several options related to the image, as well as the lens and lighting conditions. You can “tweak” the image after shooting it (as opposed to JPEG, which is limited to the settings you had when shooting).
For more tips like this, check out the book Video Made on a Mac.
With these two scenarios in place, manufacturers turned to an Internet-friendly format, JPEG. It was a proven technology, and one that was familiar to many users. A JPEG file looks for areas where pixel detail is repeated, such as the color white on every key of your computer keyboard. The file then discards repeated information and tells the computer to repeat certain color values or data to re-create the image. The drawback is that a JPEG file is lossy, so every time you modify it and re-save, additional compression is applied to the image.
Newer digital cameras, generally the pro models, offer newer formats, usually called raw. These raw (or native) formats have several benefits over shooting to JPEG. The images are usually captured at a higher bit depth, which means that the pixels contain more information about the color values in the image. Most raw files have a depth of 10, 12, or even 16-bits per channel instead of the 8 used by JPEG. This raw format also has a greater tonal range, resulting in better exposure for shadows and highlights.

The image on the left is how the camera captured a JPEG. Making adjustments to the image is possible, but will lead to more degradation in image quality. The image on the right is a properly developed raw file. Working with raw files gives you access to greater control over an image.
The raw file captures the unprocessed data from the camera’s image sensor. While your camera may contain settings for sharpness, exposure, or lighting conditions, the raw file stores that info as modifiable information and captures the original (unmodified) data that came through your camera’s sensors. Each manufacturer treats the format differently, using a proprietary format. Fortunately, Photoshop and Aperture frequently update their raw technology to support the newest cameras on the market.
Because the raw data is unprocessed, you must essentially “develop” the image data within Photoshop or Aperture. You can choose to adjust several options related to the image, as well as the lens and lighting conditions. You can “tweak” the image after shooting it (as opposed to JPEG, which is limited to the settings you had when shooting).
For more tips like this, check out the book Video Made on a Mac.
Join Me in San Jose on 1/25 for TWiP Meetup
Sunday, January 24 ,2010

If you're into digital photography and live in Northern California... join me on Monday, January 25. I'll be attending the TWiP / SmugMug 2010 Town Hall Meetup. The group is organized by Frederick Johnson (@fredeickvan) and is a group for photographers looking to share knowledge and learn.
Here are the details.
Location
San Jose Library (West Valley Branch)
1243 San Tomas Aquino Road
San Jose, CA 95117
Also, Frederick promises –
"I'll be giving one lucky member a *HUGE* prize (you know me). You won't want to miss this meeting."
See you Monday at 7pm
This Week in Photography #124
Wednesday, January 13 ,2010

You can hear it on iTunes or on the web – http://www.pixelcorps.tv/twip124
A wrap-up of CES and some of the cool, photography-related product announcements...an interview with HDR expert Tray Ratcliff...and a special guest host, digital-imaging expert Richard Harrington, joins the fray.
New Year's Resolutions for Photographers
Saturday, January 09 ,2010

"Now, I just have to commit the time and passion required to become a great photographer. In that spirit, I think we should all try to keep these 10 New Years Resolutions. Now, everyone say after me:
1. I will learn how to use my camera.
This seems like an obvious point, but we are all guilty of skipping our camera manual and just fiddling with settings. Ah, this one works right? Spot-metering? Why not. Hey, what does that button do? Seems to make things darker. Hmm. I'm going to admit something to you that I ask you to keep hush-hush. I haven't actually read my 5DMKII manual. I know. Horrible! I'm guilty of arbitrary button pushing and royally messing up shots because I don't really know how to use my camera. Let's all become technical experts of our cameras this year. Deal?"
Keep reading over at their blog.
Aperture Book Gets Perfect Review
Wednesday, January 06 ,2010

"Aperture 2: Professionally Manage Digital Photographs goes into every little things that Aperture can do for you. While you can easily see and use the sliders in the interface, it is not obvious by looking at them that using a modifier key will improve the tools' functionality. They are also describing features like round-tripping to an external editor, such as Photoshop. And if your camera RAW file format is not yet recognized by Aperture, did you know you can use a free DNG converter from Adobe to be able to edit it in Aperture without having to wait for Apple to update the software? I point this out, because historically speaking Adobe has been faster to implement RAW decodes for new cameras than Apple ever was."
See the whole review here.
Get the book here.
Sizing Digital Images in Adobe Photoshop CS4
Sunday, December 20 ,2009

The second part of the image-sizing puzzle is a clear understanding of these output requirements. What resolution does your printer need? Are you sending the image to a service provider such as a developer or commercial printer? You’ll need to make lots of choices, but they should be based on where the image needs to end up. Do not make assumptions when starting a project. Know the destination of your image so you’ll know which path to take.
KEEP READING AT PEACHPIT.com
Get the Book
Color Correction and Enhancement with Adobe Photoshop CS4
Saturday, December 12 ,2009

Learning how to spot problems and then choosing the right correction technique is an essential part of mastering Photoshop. Several different tools are available, some more useful than others. By analyzing the most important tools and determining in which situations they might help you, a more thorough understanding of color correction is possible.
The primary purpose of Photoshop is to act as a digital darkroom, where images can be corrected, enhanced, and refined. How do you know an image needs touch-up? You can pretty much assume that every image can look a little (or even a lot) better than how the camera captured it. Whether it's adjusting the exposure, increasing contrast, or boosting saturation, Photoshop is the place to improve an image.
KEEP READING AT PEACHPIT.com
Get the Book
Photographers of the World – Give Back
Wednesday, November 11 ,2009

Are you a photographer? Take a moment to watch these two videos and sign up. This is a great idea and very needed. For more info please visit http://www.help-portrait.com. You can find a local group here – http://community.help-portrait.com/groups.
Our Photoshop Training Apps are on Sale
Friday, October 30 ,2009

What are folks saying about our new apps?
Quick Fixes has 23 reviews in the iTtunes store (24 are 5-start and 1 4-star)! People love this app.
- Terry White made it his pick of the week.
- Jeff Revell at PhotoWalkPro write a very detailed review too.
- My son thinks it's cool that I used his picture in one of the lessons
If you haven't tried our new training apps, what are you waiting for?
How about our sale!
Understanding Photoshop Quick Fixes is $1.99 | iTunes – Web Demo
Understanding Photoshop Creating Panoramic Photos is $3.99 | iTunes – Web Demo
(prices good through November 30)
These apps are a lot of work, but I want to see them succeed. We've lowered the prices temporarily so more people will try them out. Tell your friends and try them out (the feedback has been overwhelmingly possitive).
- Includes training videos edited specifically for the iPhone or iPod Touch.
- Offers easily viewable screens, with zooms and close-ups of the action.
- Every lesson includes hands-on files that you download to your computer. There’s no need to merely watch, you can try out every technique on your own.
- Test your knowledge with interactive quizzes. Score yourself as well as check your answers with video responses.
- Search throughout the application by keyword and your own bookmarks.
- A quick reference guide is also included to help you build your Photoshop knowledge.
- Interact with the trainer with comments and a Twitter client.

My Day at Photo Plus Expo
Thursday, October 22 ,2009
I spent the day in New York city at the 2009 Photo Plus Expo show. It was just a one day trip (thanks Amtrak Acela). I went up for lots of reasons, but here's some of the gear I saw that looked interesting.
This seems to be the perfect box for creatives who need data redundancy. You can place up to 8 drives in the rack (adding them as you go and even mixing and matching sizes). Current drive capacities mean you can store 16TB, but the Drobo folks tell me 3 TB drives are just around the corner (which means 24TB in a rack). .
What's also nice is that you get two options of data redundancy. The Drobo can have protectio so one or two drives can fail and your data is still safe.
The Drobo also offers three interface connections:
It's iSCSI that promse some great options for perfomance.
What I also like is that the Drobo Pro can be rackmounted or placed on a desk.
I'm
a big fan of my Hoodman HoodLoupe to make it easier to view the monitor on the back of a DSLR camera. With the new HoodEYE you can upgrade your loupe. It offers an oversized eyecup with a temple flair – this helps seal of light when viewing outdoors.
I am particularly interested as we are exploring using loupes like viewfinders for shooting video on DSLR cameras. Having the extraeyecup really does make a difference, but it is a very personal choice.
Installation as an upgrade took only a minute, you can also order a new loop with the modified eyepiece include. They're also offering straps so you can attach the viewfinder. I'm up in the air on this one (compared to a Zacutto viewfinder). This is a much more affordable approach. I do prefer this loop (as a director) so its easier to go aroudn and check cameras, we'll try it as an active viewfinder next week and wil let you know how it does.
problem with mosts optical media (like CDs and DVDs) is that over time that start to deteriorate. Most discs use a dye to indicate where data is written. This process is called data rot, and it can happen with optical media at any point. Higher wuality discs are less likely, but cheaper discs can happen sooner. The exact point that this occurrs is unknown because the media gives no indicator of a problem.
Millenniata has tried to solve this with their Write Once, Read Forever. The discs are based upon obsidian stone (and I tried to get more out of them.. but trade secrets). The burners use more energy to burn and the surface of the disc is MUCH harder. The results are a disc that is etched (as opposed to just using dye)
While its not a cheap solution, (around $1800 list price for the drive and starter pack) the Millenniata folks are offering optical media that looks the test of time. The discs are also much better able to withstand temperature and physical damage. What's also great is the media is backwards compatible once burned, so you can burn with their special burner, then hand off to a client. They also promise to soon have specialty discs so you can print on the label face.
Bruce Dorn is a Canon explorer of light
and a photog who's jumped in head first to the DSLR video market. He's made a folow focus kit that makes it much easier to control focus when shooting video on a DSLR. The device is less complex than other units, as it uses a skateboard style wheel that makes gentle contact with the existing rubber rings on a camera. I played with it hands on and it looks worth testing.
I'll be doing a more detailed write-up soon.
This little beauty can mount on the camera hot show and give you a threaded mount. This will be perfect to attach an audio recorder to the top of my camera for DSLR Cinema projects. You can mount a variety of audio or video hardware directly to the camera. You can also rotate the mounting plate to a better angle as needed (works well if attaching a light or monitor).
The Fat Gecko is a dual suction cup mount that can be adhered to a smooth, non-porous surface (like mirrors, cars, airplanes.) It appears rugged, but is still very cost affordable (I would still recommend using a safety chain... but I am paranoid when it coms to gear and insurance).
You can see videos of the product in use at www.fat-gecko.com.
But Lensbaby keeps putting out great new products. They released a new option, a fisheye optic, that drops into their Composer lens.
The lens won't work with the Control Freak lens. I'm told because it goes soe wide that you actually see the control cabels on the lens.
That was my day... I saw a few more products I like and will try to post. The show runs through Saturday, October 24.
Drobo Pro
I spent a lot of time looking at the Drobo Pro in-depth.
What's also nice is that you get two options of data redundancy. The Drobo can have protectio so one or two drives can fail and your data is still safe.
The Drobo also offers three interface connections:
- FireWire 800
- USB 2.0
- iSCSI (utilizes Gigabit Ethernet)
It's iSCSI that promse some great options for perfomance.
What I also like is that the Drobo Pro can be rackmounted or placed on a desk.
Hoodman HoodEYE 3.0
I'm

I am particularly interested as we are exploring using loupes like viewfinders for shooting video on DSLR cameras. Having the extraeyecup really does make a difference, but it is a very personal choice.
Installation as an upgrade took only a minute, you can also order a new loop with the modified eyepiece include. They're also offering straps so you can attach the viewfinder. I'm up in the air on this one (compared to a Zacutto viewfinder). This is a much more affordable approach. I do prefer this loop (as a director) so its easier to go aroudn and check cameras, we'll try it as an active viewfinder next week and wil let you know how it does.
Millenniata Archival Media
The
Millenniata has tried to solve this with their Write Once, Read Forever. The discs are based upon obsidian stone (and I tried to get more out of them.. but trade secrets). The burners use more energy to burn and the surface of the disc is MUCH harder. The results are a disc that is etched (as opposed to just using dye)
While its not a cheap solution, (around $1800 list price for the drive and starter pack) the Millenniata folks are offering optical media that looks the test of time. The discs are also much better able to withstand temperature and physical damage. What's also great is the media is backwards compatible once burned, so you can burn with their special burner, then hand off to a client. They also promise to soon have specialty discs so you can print on the label face.
iDC Follow-Focus
Bruce Dorn is a Canon explorer of light

- It currently only works with Cannon lenses (although I am willing to try and make it work with Nikon)
- 24mm f1.4 L
- 35mm f1.4 L
- 50mm f1.2 L
- 100mm f2.8 Macro
- 135mm f2 L
- 16-35mm f2.8 L
- 24-70mm f.28 IS L
- 24-105mm f4 IS L
- 85mm f1.2 L
- 135mm f2 L
- 200mm f2.8 L
I'll be doing a more detailed write-up soon.
Manfrotto 482 Micro Ball Head
I stopped in at B&H on the way over to the convention center.
- height: 2.52 in
- lateral tilt: -90° / +90° tilt range
- load capacity: 4.41 lbs
- material: aluminum
- weight: 0.33 lbs
Fat Gecko Camera Mount
The folks over at Delkin Devices have comeout with an affordable mount for DSLR cameras.
- Suction cups can hold a eight pound camera
- Double knuckle design and 2" extension tube allow for 360° tilt, 360° turn & 360° rotation
- The ¼ x 20 tripod mounting screw allows for use with most digital still or or small video cameras on the market
- Suction cups use a quick release function to make attaching and detaching you camera easier
- Steel frame construction is rugged and durable
- Four adjustable joints make it easy to tweak the shot
You can see videos of the product in use at www.fat-gecko.com.
Lensbaby Fisheye Optic
Some people love them (I am a fan) others hate them.
- Ultra-wide 12mm focal length
- 160 degree field of view captures
- Minimum focus: 1" from front of optic
- f/4 optic with aperture disks that range from f/5.6 to f/22
- Designed for use with the Composer, and can also be used with the Muse with a special adapter
The lens won't work with the Control Freak lens. I'm told because it goes soe wide that you actually see the control cabels on the lens.
That was my day... I saw a few more products I like and will try to post. The show runs through Saturday, October 24.
New Photos Posted
Wednesday, October 21 ,2009
I've added several new galleries in the Photography section of the site. I mainly grabbed old photos, but I did spend 2 hours editing some new pictures today.

There are now pictures from Croatia, Bahamas, and Nevada as well as new HDR and flower photos.
I hope you enjoy

There are now pictures from Croatia, Bahamas, and Nevada as well as new HDR and flower photos.
I hope you enjoy
Canon to Add Support for 24P on the 5D Mark II
Tuesday, October 20 ,2009

Canon today announces that it is currently developing a firmware update to the EOS 5D Mark II to enable the recording of high definition 1080p video at 24 and 25fps.
This is good news.... but no mention of shooting at 60P in 720 mode like the 7D. That is more exciting to me for the options for slow motion effects.
The decision to develop new firmware to support these features has been taken following feedback received from cinematographers and photographers.
Can you say overwhelming feedback, forum posts, and blog posts. Wow... nice to see some companies actually listen to their customers.
Introduced in September 2008, the multi award-winning EOS 5D Mark II was the first DSLR product to offer full frame 1080p HD video recording, opening up a multitude of new creative possibilities for photo journalists, news photographers and amateur filmmakers.
Amateur... PLEASE. Could companies please stop talking down to their audiences. The camera and proper lenses and gear is a minimum $7,000 investment. That's not amateur. Also... can anyone tell me the difference between a photo journalist and a news photographer?
Since then, Canon has continued to develop its groundbreaking EOS Movie functionality, firstly with the firmware update to the EOS 5D Mark II that enabled manual exposure control, and more recently by introducing a choice of video recording frame rates with the EOS 7D and EOS-1D Mark IV
Both nice cameras and worth exploring. We're writing a book and shooting a music video right now with the 7D and 5D. We'll let you know about the process more soon..
Adorama also has a nice head to head coparison of the new Canon EOS-1 and Nikon D3S
Canon currently expects the firmware update to be made available during the first half of 2010. An announcement regarding details of the update and its availability will be made closer to the release date.
So please stop complaining... and asking us when... oh and first quarter means March 31... or maybe NAB in April.
View the original here.
Budgeting with Apple Numbers
Tuesday, October 20 ,2009
For a quick overview on creating video budgets with Apple Numbers, be sure to watch this informative video. You can also visit the website www.peachpit.com/videomac in order to download the budget template.
Is it Real?
Tuesday, October 20 ,2009
The folks over at NPR have a great article on Photorealism.
"Can you guess which one is a photo and which one is a painting?
Quartet by Ralph Goings
If you're going to do a painting that looks exactly like a photo, why even paint it? When asked this question in a written Q & A, photorealist painter and octogenarian Ralph Goings responded, "What I'm about is making paintings, and my camera is one of the tools I use. It's the artist's job to take the painting beyond the photograph."
Keep reading the entire article here.

Quartet by Ralph Goings
If you're going to do a painting that looks exactly like a photo, why even paint it? When asked this question in a written Q & A, photorealist painter and octogenarian Ralph Goings responded, "What I'm about is making paintings, and my camera is one of the tools I use. It's the artist's job to take the painting beyond the photograph."
Keep reading the entire article here.
So You Think You Can Teach Photoshop Contest
Sunday, October 18 ,2009
The fine folks over at NAPP are running a great contest to find more Photoshop instructors.
"Anyone with a desire to teach others how to make cool Photoshop effects can enter this contest. No matter if you are a graphic designer, photographer, teacher, student, or hobbyist. If you’ve got the chops, the creativity and the personality, this contest is for you. You may enter up to 3 video tutorials for judging."
The deadline for the contest is October 31, 2009.
The prizes look great!
"Anyone with a desire to teach others how to make cool Photoshop effects can enter this contest. No matter if you are a graphic designer, photographer, teacher, student, or hobbyist. If you’ve got the chops, the creativity and the personality, this contest is for you. You may enter up to 3 video tutorials for judging."
The deadline for the contest is October 31, 2009.
The prizes look great!
One Grand Prize: $2,500 (USD value)
- National Association of Photoshop Professionals – one-year membership
- GridIron Flow software
- Kelby Training Online Classes – one-year subscription
- Layers magazine – one-year subscription
- Kelby Training Books & DVDs
- Photoshop World Conference & Expo Admission (plus flight and hotel expenses)
- And Tons of Fame & Exposure
- Plus, as the grand prize winner you get the opportunity to teach millions with a special guest spot on PhotoshopUser TV and Layers TV podcasts, in the pages of Photoshop User magazine, in an instructor’s chair at an upcoming Photoshop World Conference & Expo, on the PlanetPhotoshop.com and of course, visibility within NAPP to 71,000 members worldwide.
5 Honorable Mention Prizes: $500 (USD value)
- National Association of Photoshop Professionals – one-year membership
- GridIron Flow software
- Kelby Training Online Classes – one-year subscription
- Layers magazine – one-year subscription
- Kelby Training Books & DVDs
Nikon Announces the New D3
Wednesday, October 14 ,2009

In case you missed it, Nikon announced an upgrade to their top product line. A new model, the D3s is coming soon. The camera looks to be a great upgrade, although for video lovers it's still using Motion JPEG compression (which is much grainier than H.264). The camera does over several other improvements that make it a nice upgrade.
- Scott Bourne has a nice write up on his blog
- So does Moose Peterson
Me? I'm still playing with my D300S and will have more to share on video mode soon.
Photo Books Tip
Friday, August 07 ,2009

So, making a book using iPhoto is still the best. I sat down and was going to use Aperture, but it didn't have the theme I wanted (although both use the same engine and printer service). If you've never made a book, the process is a snap.
1. Select the photos you want in the browser (pick more than you think you'll need)
2. Click the Book icon in the Toolbar
3. Flip from page to page (choosing layout options from the Toolbar)
4. Drag photos in and scale and position using intuitive controls.
Mini books start at $4 and larger books range between $20 -$30 depending on soft or hard covers. It really makes a nice keepsake for friends or even a new way to build a portfolio. But what about 'proofing?' Well you can share the book before you print it.
1. In iPhoto, choose File > Print.
2. In the Print Window, choose Save as PDF.
3. Pick a destination, then name the file and click OK.
4. Send the PDF to those who need to review it.
The mini books make great leave behinds for clients or potential employers.
Two New HDR Photos with Photomatix
Wednesday, August 05 ,2009

I’ve been playing with the very cool Photomatix application for creating HDR images. Here are two (I am on vacation this week). The details:
- Shot 5 Exposures
- Handheld (less desirable for HDR, but out with kids and wife)
- Shot +/- 1 stop each
- Merged together in Photomatix standalone application

New Nikon Gear Announced
Thursday, July 30 ,2009

Nikon announced two new cameras and a few new lenses. Scott Kelby has a great update at his site.
Be sure to check out the full article by Scott as well as the official Nikon release.
A Great Example of Stop Motion Animation
Thursday, July 09 ,2009
Olympus has released a re-imagined Pen Camera. The original was released 50 years ago, and cost about a a third less than conventional cameras. The camera was known for trying new technologies and innovative ideas throughout its history.The new camera allows for several lenses as well as HD video.
To celebrate the new launch, the company commissioned a very cool stop motion commercial.
- Shot 60.000 pictures
- Developed 9.600 prints
- Shot over 1.800 pictures again.
Oh… and no post production!
Cool tutorial on lighting for photographers
Wednesday, June 03 ,2009
Check out this cool tutorial on lighting for photographers from Robert Louis Vanelli. In this video tutorial you will learn how to light a subject using multiple lights and what each of those lights do for the overall lighting scheme.
Great Video Interview with Bill Frakes of Sports Illustrated
Friday, March 06 ,2009

“Bill Frakes is an award-winning photographer who has traveled to hundreds of countries to capture some of the most exciting moments from the Olympics to covering a six-man football team in the fields of Nebraska. As a staff photographer for Sports Illustrated, many of his images have captured the rough and beautiful essence of sports. His advertising clients include Nike, Coca-Cola, IBM, Nikon, Reebok and so many more. He’s won the coveted Newspaper Photographer of the Year in the Prestigious Pictures of the Year competition. He was a member of the Miami Herald staff that won the Pulitzer Prize for their coverage of Hurricane Andrew. He has also been awarded the Gold Medal by World Press Photo.”
Cloning an Image in Aperture
Saturday, November 08 ,2008

1 Press X to select the Retouch tool.
2 Select the Retouch HUD and click the Clone button.
3 In the Retouch HUD, adjust the brush Radius and the Softness.
4 Hold down the Option key and click the area you want to sample.
Tip
It’s often better to take a few strokes to build up the texture. Be careful as you clone so you don’t introduce stray strokes.
5 Brush over the area you want to clone.
6 Repeat brushstrokes as needed.
Tip
If you get an unintended stroke, you can choose Undo. If you return to a retouched image you can also delete a Retouch brush stroke at any time by clicking the Delete button in the Retouch area of the Adjustments pane. Note that brush strokes can be deleted only in reverse order because they’re recorded sequentially.
iPhoto versus Aperture – Part 1
Sunday, September 14 ,2008

Nondestructive Image Processing
Both Aperture and iPhoto offer nondestructive image processing.At any point during the image adjustment process you can restore your image to its original state.Although both iPhoto and Aperture feature nondestructive imaging,they take a different approach to achieve it.Read More...
New Photos from Red Rock
Tuesday, September 02 ,2008
Here’s are two new slideshows I put together to show off four things.
1. Some new photos from Red Rock National Park on Las Vegas.
2. The new graphics plug-in Sliver Efex from Nik Software.
3. Animoto Music Videos.
4. Photoshop Express Slideshows.
Enjoy and be sure to check out #2 - #4... if you are in Vegas... set aside half a day and visit Red Rock as well.
1. Some new photos from Red Rock National Park on Las Vegas.
2. The new graphics plug-in Sliver Efex from Nik Software.
3. Animoto Music Videos.
4. Photoshop Express Slideshows.
Enjoy and be sure to check out #2 - #4... if you are in Vegas... set aside half a day and visit Red Rock as well.
This Bag is Awesome – My thoughts on the Boda Dry
Friday, April 18 ,2008
At the recent Photoshop World conference, I picked up a new camera bag. This one is a lens bag, and is designed to condense your camera bag into a few lenses and essential gear. Be sure to check out the BODA Dry (a ton of the Photoshop World instructors and staff picked up on this). Here's what's cool.

I used the bag while hiking around Red Rock (outside Las Vegas) and it was a true joy. Very comfortable and very easy to use... I still love my Kata bag for lugging the gear, but when I trim down to go mobile... this one is great.

- The bag hold 4+ lenses (including long lenses)
- It's very comfortable with both a shoulder and a waist strap (I find the shoulder strap more comfortable, but the waist strap fits well and has hip pads like a backpackers pack).
- The product looks durable with waterproof bullistic cordura and even a very tight zipper to keep rain out.
- It has a media card wallet, lens changing pouch, and even business card case.
- The gear is designed to be used with one hand (and the thoughtful construction shows).
I used the bag while hiking around Red Rock (outside Las Vegas) and it was a true joy. Very comfortable and very easy to use... I still love my Kata bag for lugging the gear, but when I trim down to go mobile... this one is great.
Don't Use Auto White Balance
Saturday, April 05 ,2008

Looking for an easy way to white-balance on a shoot? I just discovered the useful Whibal White Balance Reference Cards.
Here's what I like:
- Lightweight and single-card format.
- Light Gray, certified to recommended Luminance
- Includes Black and White Spots
- Focus and Sharpness targets
- Sturdy and Easy to Pack (it even floats)
- Affordable
New Options for Web Galleries
Thursday, January 10 ,2008

"Adobe® Media Gallery (AMG) for Adobe Bridge adds quick, powerful Web gallery creation to Adobe Photoshop® CS3, Adobe Photoshop CS3 Extended and the Adobe Creative Suite®. AMG makes it possible to create HTML or Flash-based galleries from any of the file formats supported by Bridge; adjust the galleries using the built-in preview; and export the results or upload them via FTP."
The add-on is free... and works great with easy preview and FTP options. You can download the free plug-in at http://labs.adobe.com/wiki/index.php/Adobe_Media_Gallery.
Photographer's Rights
Thursday, January 18 ,2007

You can find a great PDF here that describes the rights of photographers (and videographers) within the U.S. Print this out and place it into your gear bag for the next time you get harassed.
Great New Digital Camera
Saturday, December 09 ,2006


The Leica D-LUX 3 offers a superb amount of pro features in a small package:
- 10-megapixel CCD (18 x 24-inch prints)
- Shoot both RAW and JPEG
- Manual setting options (focus, aperture, ISA, bracketing)
- High-quality lens takes (equivalent to 28 mm - 112 mm)
- Ability to shoot three aspect ratios (4:3 - 3:2 - 16:9)
- Optical stabilization and fast processing (burst 1 fps)
- High-quality aluminum housing
- Video Record HD 720P @ 15 fps & SD @ 30 fps in QuickTime
- Choice between automatic or manual ISO 100, ISO 200, ISO 400, ISO 800 or ISO 1600.
- Includes full copy of Photoshop Elements
The cameras are back ordered due to popularity, so you'll need to allow a few weeks to get yours (I'm still anxiously waiting).
