DSLR Video
Free Digital Video E-books
Thursday, September 02 ,2010
- Adobe offers some great primers on video technology. be sure to check these free e-books out.
- Adobe Digital Video Primer (PDF: 9.8M) Whether you want to understand the differences between analog and digital, how to choose and set up a system that's right for you, or how to prepare and edit your content for delivery in virtually any format, the Adobe Digital Video Primer is a resource you'll use often.
- Adobe HD Primer (PDF: 1.6M) This primer will help you understand what's involved in making the transition to authoring and distributing high-definition content and how to get the best results out of that transition.
- Adobe Digital Audio Primer (PDF: 84k) In this primer, we'll introduce the basics of sound so you can work more effectively with Adobe® Audition™ and the rest of your digital audio or video toolkit.
- Adobe DVD Primer (PDF: 6.3M) This in-depth primer will get you acquainted with DVD technology and teach you how to make your DVD content more dynamic. If you're already creating video productions, it will introduce you to state-of-the-art technologies you can use to repurpose your content for DVD distribution. If you're a beginner you'll find out how you can easily develop and author your own DVDs.
- Adobe Professional DVD Production with Adobe Encore DVD Primer (PDF: 2.2M) This primer provides background information on the DVD-Video format and explains what makes Adobe Encore® DVD such a powerful application for professional DVD creation.
- Adobe Streaming Media Primer (PDF: 1019k) The Adobe Streaming Media Primer offers a single comprehensive source for learning everything you ever wanted to know about streaming media — including pitfalls, costs, how-tos, and the basics.
- Adobe DV Primer for Creative Professionals (PDF: 392k) Thinking about adding video to your repertoire? If you're a graphic designer, web professional, photographer, or other creative professional and you want to start working with video, this Primer is the place to start. You'll learn how video can expand your creative reach, the basics of the technology, and what you'll need to get started.
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Fun at Photoshop World
Thursday, September 02 ,2010
Here are a few pictures from the TweetUp. By the way... this is me cutting loose (in case you thought it was only about computers and stuff).
DSLR Video Quick Canon Links
Tuesday, August 31 ,2010
Here are a few new Canon links to check out
A better way to convert Canon footage? – http://16x9cinema.com/blog/2010/8/30/rarevisions-5dtorgb-a-better-way-to-convert-canon-5d-mark-ii.html
New FCP Plugin for Canon? – http://www.canonrumors.com/2010/08/canon-updates-eos-e1-video-plug-in/
New Canon Camera – http://news.cnet.com/8301-17938_105-20014685-1.html
I'll be at the IBC Conference
Thursday, August 12 ,2010
For all the European geeks... I'll be teaching at the IBC conference in Amsterdam September 11 & 12.
- Producing HDSLR Video Shoots - Essential Planning for Successful Productions
- Motion Control 3D: Adding Perspective and Movement to Photos
- Photoshop for Video Professionals
- Motion Graphics Workflow with Adobe Creative Suite
- Transcoding and Editing Strategies for HDSLR Post Production
Hope to see you there!
"The Drive" by Victoria Taylor-Gore
Monday, August 09 ,2010
A nice piece by a colleague that merges artistic styles.
A Great Article on Filmmaking Apps for the iOS
Saturday, August 07 ,2010
"The iPad and iPhone have taken the world by storm. Only very recently have filmmakers started to see their potential in a production environment. The iPad has only been out a few months and we are already seeing it used in some very creative ways.
For this feature we have rounded up some of the best and most useful Filmmaking Apps that our Deal Leader Steve Jobs has approved for the App Store. As more filmmakers explore the possibilities with these powerful mobile devices, we are sure this list will continue to grow"
Get the whole article here – http://filmmakeriq.com/2010/07/22-filmmaking-apps-for-the-ipad-iphone/
Stabilizing Handheld Shots Technique
Sunday, August 01 ,2010
If you have to shoot your panoramic images without a tripod, you’ll need to adjust your handheld shooting technique.
Try wrapping the camera strap around your elbow. This allows you to place tension on the strap so it is taut. The tension is a useful way to constrain the camera movement and make it more an extension of your body.
To pan the camera smoothly, you’ll need to properly position your body.
Check out our Panoramic Training Here
Try wrapping the camera strap around your elbow. This allows you to place tension on the strap so it is taut. The tension is a useful way to constrain the camera movement and make it more an extension of your body.
- Hold the camera in front of your body so its strap hangs downward.
- Slip your arm through the strap so it goes just past your elbow.
- Wrap your hand around the outside edge of the strap and grab the camera body.
- Press your elbow into the strap to increase tension on the strap and stabilize the camera.
To pan the camera smoothly, you’ll need to properly position your body.
- Square your body up with your subject.
- Spread your feet shoulder-width apart.
- Rotate at the waist and twist body while keeping your shoulders and camera in close to your body.
Check out our Panoramic Training Here
Seattle Skyline Timelapse
Saturday, July 03 ,2010
GEAR USED
Nikon D300S
Really Right Stuff L-Bracket and Ballhead
Manfrotto Tripod
Nikkor 50 mm 1.8
Nikon MC-36 Intervalometer
Processed in After Effects (see tutorial)
Sign Up for Creating DSLR Video at Photoshop World
Wednesday, June 30 ,2010
Interested in DSLR Video? Like Vegas? Don't miss my workshop at this years Photoshop World.
http://photoshopworld.com/optional-pre-conference-workshops/
Color Grading Footage In Adobe Photoshop Extended
Monday, June 28 ,2010
Learn how to adjust the color and exposure of video clips using Adobe Photoshop Extended.
From the book From Still to Motion
Creating Timelapse Movies with a DSLR and After Effects
Sunday, June 27 ,2010
Creating Timelapse Movies with a DSLR and After Effects from Richard Harrington on Vimeo.
Learn how to create Timelapse movies with your DSLR camera and Adobe After Effects. Join Richard Harrington as he shows you how to create pans and zooms while controlling the speed of the shot as well.
From the book and DVD "From Still to Motion: A photographers guide to creating video with your DSLR."
Photos by Jim Ball
Going to Photoshop World? Take My Pre-Con
Sunday, June 20 ,2010
I hope you can join me at Photoshop World this Year
I have a great pre-conference session called:
CREATING VIDEO WITH DSLR CAMERAS
Explore options for creating and working with video from your camera, from practical shooting techniques and essential lighting to easy editing strategies and online sharing.
Instructor: Richard Harrington
Time: 01:00pm-06:00pm
Price: $199
Sign Up Here – http://photoshopworld.com/optional-pre-conference-workshops/
I have a great pre-conference session called:
CREATING VIDEO WITH DSLR CAMERAS
Explore options for creating and working with video from your camera, from practical shooting techniques and essential lighting to easy editing strategies and online sharing.
Instructor: Richard Harrington
Time: 01:00pm-06:00pm
Price: $199
Sign Up Here – http://photoshopworld.com/optional-pre-conference-workshops/
Lens Correction in Photoshop CS5
Friday, June 04 ,2010
By their very nature, lenses add distortion to the images they capture. I've posted a new tutorial over at TipSquirrel.com that addressed how to fix lens distortion for both stills and video.
“One of the commands in Photoshop CS5 that received a major makeover is the Lens Correction command. It’s no longer buried, rather it sits proudly near the top of the filter menu. Adobe now ties the filter to specific lenses in the file’s metadata. You can even create your own lens profiles with a great utility. Visit http://labs.adobe.com/technologies/lensprofile_creator/ for full details.”
Check out the full tutorial here for free.
Adobe DSLR Class Archive Online
Wednesday, June 02 ,2010
I'm also amazed at Premiere Pro's ability to handle native DSLR video with no transcoding or rendering (good stuff!).
We focus a lot on DSLR video, but all video pros and photographers will learn something. You can watch the class here online (give it a minute to load).
Working with DSLR Video with Adobe CS5 Production Premium
https://admin.adobe.acrobat.com/_a561260173/p57397558/
Free Adobe Seminar Today
Wednesday, May 26 ,2010
Check out Working with DSLR Video with Adobe CS5 Production Premium ›
Wednesday, May 26, 2010 at 10:00 AM - 11:30 AM US/Pacific
Only a few spaces left!
New Canon 5D Firmware
Tuesday, May 25 ,2010
This firmware update (Version 2.0.7) incorporates the following improvements and fixes.
- Fixes a phenomenon in which the aperture exhibits abnormal movement when shooting movies in manual exposure mode and Aperture Priority AE (Av mode) using some Canon lenses (such as macro lenses).
- Fixes a phenomenon in which the exposure level shown in the LCD panel differs from what is shown in the viewfinder when shooting still images in manual exposure mode.
- Fixes a phenomenon in which the Wireless File Transmitter (WFT-E4 or WFT-E4 II) may not automatically power off when used for FTP transfers.
Creating Prints from Video Frames
Thursday, May 20 ,2010
Resolution limitations of video
You might be thinking to yourself “Isn't video really low resolution?” Yes, when compared to the native size of photos taken with your DSLR, video pales in comparison. But for many uses, such as web or newspaper, you can get enough pixels out.
Currently the highest resolution you’ll get exporting a still from a piece of video that originated on a DSLR is 1920 x 1080 or approx 2.1 megapixels. While you aren’t going to make any panoramic prints of those frames you can still find a lot of great uses for them. If printing at 300 ppi, you can extract a frame that is about 6.5 X3.5 inches – in fact a lot of the figures that you’ve see in this book are from video clips.
Read More...
Working with DSLR Video with Adobe CS5 Production Premium
Wednesday, May 19 ,2010
You can sign up here – http://www.adobe.com/cfusion/event/index.cfm?event=detail&id=1613414&loc=en_us
Working with DSLR Video with Adobe CS5 Production Premium
Wednesday, May 26, 2010 — 10:00 AM - 11:30 AM US/Pacific
Thanks to their exceptional image quality, low-light capabilities, and the fact that you can shoot using standard 35mm DSLR lenses that give your footage the look of expensive film-based cameras, DSLRs are finding their way into video productions at all levels.
Join Richard Harrington, co-author of From Still to Motion: A photographer's guide to creating video with your DSLR. He'll explore the options for creating and working with DSLR video in CS5 Production Premium which includes Adobe Photoshop, Adobe Premiere Pro, and Adobe After Effects. You’ll learn everything from practical shooting techniques and essential lighting to easy editing strategies and online sharing.
You’ll also be introduced to the latest Dell Precision workstation and NVIDIA Quadro graphic solutions to help you make the best decision to outfit your editing needs – including taking advantage of the latest performance improving updates in CS5.
Creating Timelapse Movies in After Effects
Sunday, May 16 ,2010
Richard Harrington, a trainer for Future Media Concepts, shows how to use time-lapse photography to create video clips.
Free Training on DSLR Video
Friday, May 07 ,2010
Be sure to check out other training on their site.
Scott Kelby has an archived lesson
Trey Ratcliff has a session June 15
Luke Brindley: We Go Together
Tuesday, May 04 ,2010
Music video from the book "From Still to Motion"
Featuring Luke Brindley
Hope you enjoy and check out both the book and Luke's music.
Featuring Luke Brindley
Hope you enjoy and check out both the book and Luke's music.
Check out Digital Photo Expereience
Monday, May 03 ,2010
- I was a recent guest on Digital Photo Experience Episode 11. Be sure to check out the show.
We hope you enjoy the episode, and if you do, we would greatly appreciate it if you could give us a positive rating on iTunes. Hey, it only takes a minute!
To get the enhanced version of the podcast with images and chapter markers, subscribe to the podcast via iTunes here: DPExperience Podcast on iTunes
Or listen directly here – http://dpexperience.com/2010/05/01/photoshop-world-part-ii-dpe-podcast-episode-11-may-1-2010/
Win a free copy of new book – From Still to Motion
Thursday, March 18 ,2010
Peachpit press is giving away FIVE copies of the brand new book, From Still to Motion: A photographer's guide to creating video with your DSLR. The contest runs THIS Frida
Prizes
How to Play
Prizes
How to Play
- Follow @Peachpit (only followers are eligible). We’ll send a direct message (DM) to the winner, so you must be following us to find out if you won. (If you’re not on Twitter yet, just go to http://www.twitter.com and click the “get started – join!” button.)
- Stay tuned on Friday. Throughout the day, we’ll let you know which prize we’re giving away and the number of response you need to be to win. (For example: “#FRIDAYFREEBIES: Autographed copy of A World in HDR! Be the 7th person to tweet to @Peachpit w/hashtag #FridayFreebies to win!”)
- To enter, just send a message to @Peachpit with the hashtag #FridayFreebies and include the special key word (revealed in the video) in your tweet.
- All followers can win any prize.
- The winner will be announced on Twitter once we confirm eligibility.
My Photoshop World Schedule
Wednesday, March 17 ,2010
Going to Photoshop World? Here's my class schedule if you'd like to say hi.
Always happy to catch up and share techniques.
TUESDAY
1:00 - 6:00 Creating Video With DSLR Cameras – Pre-conference
WEDNESDAY
1:00 Peachpit Booth
4:00 Peachpit Booth
THURSDAY
8:15 Creative Typography for Video
9:30 Photoshop for Video
6:00 After Effects & Flash
Peachpit Photo Club Announced
Friday, March 12 ,2010
Be sure the check out the Peachpit Photo Club
Don't miss the Peachpit Photo Club. It's held on the third Tuesday of every month, from 8 to 9 p.m. EST (5 to 6 p.m. PST). It's a webcast featuring your favorite digital photographers, such as Scott Kelby, Chase Jarvis, Chris Orwig, Joe McNally, David duChemin, and many more!The debut Peachpit Photo Club features Scott Kelby on Tuesday, March 16 at 8 p.m. EST! During this live webcast, photographer and bestselling author Scott Kelby will present some of his work, provide you with some insight and inspiration, and answer your burning questions!
Then I'll be up with my co-authors on the new book "From Still to Motion." Join us April 20 8PM EST.
Learn more and sign up at www.peachpit.com/photoclub.
Organizing Images with Aperture
Monday, March 08 ,2010
In this video you’ll learn to rank and sort images in Aperture. You’ll also learn about contact sheets and Web galleries for client review. You can also visit the website www.peachpit.com/videomac in order to download sample files.
Digital Convergence Podcasts for DSLR Filmmakers
Sunday, March 07 ,2010
I was recently interviewwd about a new book – From Still to Motion: A Photographer's Guide to Creating Video with your DSLR
Here's the Podcast – DIGITAL CONVERGENCE EPISODE 6
Episode 6 features Richard Harrington and Robbie Carman, who are two of four of the co-authors of the new book from Peachpit: From Still to Motion.
In this episode, Rich Harrington and Robbie Carman talk about what to expect from their new book. Taking a platform agnostic approach and covering a wide range of budgets, they discuss a broad range of topics including unexpected lessons learned, do-it-yourself lighting, camera support and motion, post-production and color grading, sound, stop-motion and time-lapse and a wealth of other topics. I hated to cut short this conversation - it's our longest episode yet. But it's well worth hearing.
Use Apple Pro Apps? Time to Update.
Thursday, March 04 ,2010
Use FCP, Aperture or Logic? Be sure to download the Apple ProKit 5.1 update to fix memory leaks –
About ProKit 5.1 (Leopard & SnowLeopard)
This ProKit Update fixes issues with user interface software resources that are shared by Apple's professional applications.
Get it here – http://support.apple.com/kb/DL1008
About ProKit 5.1 (Leopard & SnowLeopard)
This ProKit Update fixes issues with user interface software resources that are shared by Apple's professional applications.
- The issues addressed include:
- Corrected an issue with improper scrolling behavior.
- Resolved memory leaks for improved performance.
- Addressed layout of interface elements in certain application alert windows.
Get it here – http://support.apple.com/kb/DL1008
Transcoding with MPEG Streamclip
Tuesday, March 02 ,2010
Learn how to convert your DSLR footage for use in a video editing program. From the new book and DVD – From Still to Motion (Peachpit Press).
Q&A with the Authors of From Still to Motion
Monday, March 01 ,2010
Peachpit: What was the motivation behind writing From Still to Motion? Why this topic, and why now?
Authors: We've been thinking about and actively working on the book for more than a year. When we first starting seeing video-enabled DSLR cameras we were excited by their potential. They can be challenging to work with, but have great rewards with incredible visuals.
We decided there needed to be a definitive book and DVD that explored the entire process of using these cameras (from pre-production through delivery), and one that explored both the art and the technology. Camera models and features constantly change, but the process of creating video is relatively constant and we felt there needed to be thorough coverage on how to create video with a DSLR camera. What we've created is an in-depth case study that explores how we used these cameras for six months and all the cool things we learned along the way.
Read the whole interview here
Apple Updates Aperture and Digital Camera Support
Wednesday, February 24 ,2010
About Aperture 3.0.1
This update improves overall stability and addresses a number of issues in Aperture 3, including:
- Upgrading libraries from earlier versions of Aperture
- Importing libraries from iPhoto
- Importing photos directly from a camera
- Memory usage when processing heavily-retouched photos
- Face recognition processing
- Adding undetected faces using the Add Missing Face button
- Printing pages containing multiple images
- Printing photos and contact sheets with borders and metadata
- Editing photos using an external editor
- Display of images with Definition and Straighten adjustments applied
- Zooming photos in the Viewer and in the Loupe using keyboard shortcuts
- Accessing Aperture libraries on a network volume Selecting and moving pins on the Places map
- Adding and editing custom locations using the Manage My Places window
- Switching between masters when working with RAW+JPEG pairs.
The Digital Camera update also added several new cameras to Aperture and iPhoto.
- Hasselblad H3DII-50
- Leica M9
- Leica X1
- Olympus E-P1
- Olympus E-P2
- Panasonic Lumix DMC-GF1
- Pentax K-7
- Pentax K-x
- Sony Alpha DSLR-A500
- Sony Alpha DSLR-A550
- Sony Alpha DSLR-A850
Chroma Key is Everywhere
Sunday, February 21 ,2010
Here's two free resources to help you out
- Video Made on a Mac: Greenscreen Solutions
- Creative Chromakeying handout from Photoshop World
Aperture 3 Supports Video
Thursday, February 18 ,2010
With Aperture 3, Apple has fully embraced video acquired on DSLR cameras. In fact, you can now manage video and audio files as easily as any other image in your library. If you are used to using Aperture as part of your photo editing workflow, you'll find the addition of audio and video support quite welcome.
Importing Video
Video and audio files are added to your library in the same manner as any other image. You can import files directly from a memory card or from a hard drive. It is important to decide where you want to store the files before you import them. Follow these steps to choose a location and import your files:1. Select a project or album then click the Import Files button in the toolbar.
2. Navigate to the desired files in the File Browser at the bottom of the main window (this can be files that already exist on hard drive or a memory card).
3. Select the check boxes for the desired clips. You can also click the Check All or Uncheck All buttons at the top of the window.
4. In the right column, choose a destination for the files. Specify where you want the files to be located in Aperture:
- Click a project or folder in the Library pane to target it.
- Choose New Project from the Destination menu to create a new project to hold the imported items.
- In the Aperture Library moves the files into a managed library. These files can be exported but will be copied to a new location.
- In their current location leaves the files where they are located. This is the best approach if you've already copied your video files to an editing drive.
- Your User folder is available (and is labeled with your default name).
- The Pictures folder in your home directory is another option.
- Choose lets you specify another location. This option works well when you want to target a specific drive (such as your project's media drive). The Choose option can be used to copy the media from the camera memory to an editing location.
READ MORE AFTER THE JUMP Read More...
Want to Learn DSLR Video? Come to Photoshop World.
Thursday, February 11 ,2010
Just a heads up, I am teaching a Photoshop World pre-conference class on DSLR video. The workshop is March 23 in Orlando, FL.
Here's a short video about the class – http://www.scottkelby.com/blog/2010/archives/8465
Register today and save! There's only 2 weeks left to save $100 on the Photoshop World Conference
"OK, it’s two weeks and one day, but you get the idea. The $100 early bird registration deadline is coming up, and if you want to join us in Orlando on March 24-26 for the world’s largest Photoshop training event, (and do it on the cheap) you can sign up or just get more details right here (By the way: if you’re a NAPP member, you can get a full conference pass for only $499 using that early bird discount)."
New Canon Final Cut Pro plug-in to be released
Friday, February 05 ,2010
(February 5, 2010) Canon's EOS E1 video plug-in for Apple's Final Cut Pro was released today. This new plug-in allows simple and easy transfer of video content from Canon’s EOS DSLR cameras directly into Final Cut Pro.
The EOS E1 video plug-in takes advantage of Final Cut Pro’s powerful Log and Transfer feature, which allows users to select and mark the video directly while it is still on the camera, add custom metadata and ingest the clips in the background so the editing can begin immediately.
The EOS E1 video plug-in is a free download available at http://www.apple.com/downloads/macosx/finalcutstudio/. The plug-in is compatible with Final Cut Pro 6 or higher and currently supports Canon EOS 5D Mark II, EOS 7D and EOS 1D Mark IV cameras.
Great Profile of Stop Animator
Monday, January 25 ,2010
A fascinating documentary on Ray Harryhausen who is a prolific stop motion animator. Some of his work you may have seen includes The 7th Voyage of Sinbad, Jason and the Argonauts, and Clash of the Titans.
Read More to see parts 2–6
Read More...
Read More to see parts 2–6
Read More...
Eco-Comedy Video Competition
Sunday, January 24 ,2010
They are running a contest for filmmakers to create a short, funny video for YouTube which communicates a clear message that strongly motivates a specific behavior change (for example, driving a fuel efficient car, turning down thermostats, or donating to a conservation cause).
Submissions must:
- Be humorous!
- Address a critical environmental issue
- Be an original production
- Reach a broad audience beyond just environmentalists
- Be less than 4 minutes
Submissions are due by March 1, 2010. The winner will be announced at American University on Tuesday, March 23 at the DC Environmental Film Festival.
For more information regarding submission guidelines and contest rules, visit: http://www.environmentalfilm.org.
Vote for a Cover – DSLR Video Book
Monday, January 18 ,2010
I need your help... Vote on which cover you like the best for my new book.
These are just rough designs (not final covers) but I want your vote!
These are just rough designs (not final covers) but I want your vote!
This Week in Photography #124
Wednesday, January 13 ,2010
You can hear it on iTunes or on the web – http://www.pixelcorps.tv/twip124
A wrap-up of CES and some of the cool, photography-related product announcements...an interview with HDR expert Tray Ratcliff...and a special guest host, digital-imaging expert Richard Harrington, joins the fray.
A Beautiful (and Sad) Short Film
Tuesday, January 12 ,2010
This short film was shown to me yesterday by Alex Lindsay and Frederick Johnson when I was visiting for This Week in Photography. It's a beautiful documentary about a man who loses his dog to cancer. The whole piece was produced with a Canon 7D. What I like about it is that the filmmaker truly shows an intimate moment (and one I can relate to as a dog lover). The smaller cameras these days (that can shoot in lower light) are letting us tell stories we never good before.
I present Last Minutes with ODEN
Comments please....
I present Last Minutes with ODEN
Last Minutes with ODEN from phos pictures on Vimeo.
Thank You Jason Wood for allowing us this moment.
Oden's struggle with cancer finally came to an end.
May he rest in peace and his memory be eternal.
Comments please....
Shot Types –The Language of Cinema
Friday, January 08 ,2010
When shooting a scene, you'll typically favor getting multiple shots. This process is referred to as getting coverage. Just as a single photo can say so much, combining multiple angles together can tell the story better (letting you show interesting details or emotions). This process is important because it allows for more flexibility in editing. You can choose to condense, action, cover mistakes, or even direct the viewer's attention with a variety of shot types. These shots have a language of their own. Knowing the most common shot types lets crew members talk to each other.
Wide Shot (WS) – A wide shot (also called an establishing shot) is useful to show the entire subject. With a person, this usually means seeing from the top of their heads to the bottom of their feet.
Read More...
Wide Shot (WS) – A wide shot (also called an establishing shot) is useful to show the entire subject. With a person, this usually means seeing from the top of their heads to the bottom of their feet.
Read More...
Stay on Target – Camera Calibration
Tuesday, December 08 ,2009
Mixed lighting makes it tough to get accurate color.
Whenever we move a camera, change lighting, or switch scenes, a reference card or target is called for. It should have pure black, pure white, and middle grey on it. This will make it easier to color correct your footage during postproduction. Using a reference target on set allows you to move at a faster pace without fear.
Read More...
Some Recent news in the DSLR Video World
Saturday, December 05 ,2009
Here are a collection of short posts I wanted to share.
- Creative COW adds a new forum for DSLR Video. Check it out and start posting questions and videos for feedback.
- Canon touchscreen patent could be in a future Canon HDSLR
- HDSLR Log and transfer tool for Final Cut Pro
- Nice write-up of Phillip Bloom's recent project.
- Check out some new plugins. Foundry RollingShutter + C2 Lock & Load plugins on Canon 5D Mark II
- You'll find out lots of news about DSLR Video and the new book over on Facebook
- Check out From Still to Motion
A Few Shots from New Music Video Project
Friday, December 04 ,2009
Shooting video with a macro lens is fantastic! Can focus super close and have a super shallow depth of field. Here are just a few of the dozens of shots we got last night using Canon 100mm 2.8 Macro
See the video in HD here – http://www.facebook.com/video/video.php?v=194553448569
See the video in HD here – http://www.facebook.com/video/video.php?v=194553448569
Have You Joined "From Still to Motion" Yet?
Saturday, November 21 ,2009
Over at Facebook you can connect with other users... exchange ideas... share resources!
Here's a sampling of recent stories.
- Zacuto custom rig for Panavision + Canon 7D setup
- Photoshop World adds a new DSLR video workshop
- HDMI capture of live stream for Canon 7D
- Almost everything you need to know about aliasing in DSLR video
- Canon 7D Test - Greenscreen
Join us and share your ideas for the book and footage tests.
New Training Video Released
Wednesday, November 11 ,2009
It's always nice to get name-checked on Scott Kelby's blog (he is the number one technology author in the world after all).
Thanks Scott – He called me a photographer... guess I'm moving up in the world =)
"Just Released: “Editing Video Shot With Your DSLR” Online Class
Video guru, photographer, and Photoshop World instructor Richard Harrington just released a new online class at Kelby Training Online called Editing Your DSLR Video on a Mac, and it answers so many questions about this booming new area of creativity for photographers. If you’ve got a DSLR that shoots video, you’ve got to catch Rich’s class (here’s the link)."Thanks Scott – He called me a photographer... guess I'm moving up in the world =)
On-Camera Microphones for DSLR Cameras
Tuesday, November 10 ,2009
The RØDE mic significantly extends pickup for the camera. This is the Rode VideoMic with PG1 Pistol Grip. We've also added the DeadCat Windshield.
There are several manufacturers that make external microphones that are designed to be attached to your camera. Manufacturers like RØDE offer specialty microphones mount on your hot shoe. The microphones can be plugged into the “mic” port on your camera.
Read More...
DSLR Video Shootout
Sunday, November 08 ,2009
Head on over to ProVideoCoalition and check out my new article – an in-depth overview comparing the Canon 5D, Canon 7D, Nikon D300S, and Red One. Lot's of other goodies and a ton of video clips as well.
Interested in DSLR Video?
Saturday, November 07 ,2009
The page serves two purposes.
1. I'll share what we're learning about DSLR Video.
2. I'll let you know things about the new book and DVD I'm developing.
I hope you can stop by and join us.
We've got a ton of video clips posted to give you ideas.
We've also opened a forum, so please post a question or comment.
Great Video for Great Band
Sunday, November 01 ,2009
I've always been a huge Arrested Development (AD) fan since college. Many haven't realized that the band has continued to release new music at a regular pace.
Here's their latest music video, shot entirely with a Canon 7D camera. Been studying up on this process as I am in the middle of co-authoring a book on DSLR filmmaking right now.
Enjoy!
Here's their latest music video, shot entirely with a Canon 7D camera. Been studying up on this process as I am in the middle of co-authoring a book on DSLR filmmaking right now.
Enjoy!
Arrested Development - "The World Is Changing" from James Edwin Myers Jr. on Vimeo.
Arrested Development - "The World Is Changing"
Vagabond Records and Tapes
A Pony Ghost Production
Director - James Edwin Myers Jr.
Producer - James Edwin Myers Jr.
Co-producer - Bob Butler
Executive Producers - Arrested Development
DP - Troy Stains
Editor - Justin Miller
Colorist - Troy Stains
Set Construction - Bob Butler
Production Design - David Van Arsdale
Stylist/Wardrobe - Harley Pelayo
Makeup - Fawn Ortega
PA/Grips - Mike Williamson, Justin Chapman
This music video was shot entirely on a Canon 7D with Canon lenses.
My Day at Photo Plus Expo
Thursday, October 22 ,2009
I spent the day in New York city at the 2009 Photo Plus Expo show. It was just a one day trip (thanks Amtrak Acela). I went up for lots of reasons, but here's some of the gear I saw that looked interesting.
This seems to be the perfect box for creatives who need data redundancy. You can place up to 8 drives in the rack (adding them as you go and even mixing and matching sizes). Current drive capacities mean you can store 16TB, but the Drobo folks tell me 3 TB drives are just around the corner (which means 24TB in a rack). .
What's also nice is that you get two options of data redundancy. The Drobo can have protectio so one or two drives can fail and your data is still safe.
The Drobo also offers three interface connections:
It's iSCSI that promse some great options for perfomance.
What I also like is that the Drobo Pro can be rackmounted or placed on a desk.
I'm
a big fan of my Hoodman HoodLoupe to make it easier to view the monitor on the back of a DSLR camera. With the new HoodEYE you can upgrade your loupe. It offers an oversized eyecup with a temple flair – this helps seal of light when viewing outdoors.
I am particularly interested as we are exploring using loupes like viewfinders for shooting video on DSLR cameras. Having the extraeyecup really does make a difference, but it is a very personal choice.
Installation as an upgrade took only a minute, you can also order a new loop with the modified eyepiece include. They're also offering straps so you can attach the viewfinder. I'm up in the air on this one (compared to a Zacutto viewfinder). This is a much more affordable approach. I do prefer this loop (as a director) so its easier to go aroudn and check cameras, we'll try it as an active viewfinder next week and wil let you know how it does.
problem with mosts optical media (like CDs and DVDs) is that over time that start to deteriorate. Most discs use a dye to indicate where data is written. This process is called data rot, and it can happen with optical media at any point. Higher wuality discs are less likely, but cheaper discs can happen sooner. The exact point that this occurrs is unknown because the media gives no indicator of a problem.
Millenniata has tried to solve this with their Write Once, Read Forever. The discs are based upon obsidian stone (and I tried to get more out of them.. but trade secrets). The burners use more energy to burn and the surface of the disc is MUCH harder. The results are a disc that is etched (as opposed to just using dye)
While its not a cheap solution, (around $1800 list price for the drive and starter pack) the Millenniata folks are offering optical media that looks the test of time. The discs are also much better able to withstand temperature and physical damage. What's also great is the media is backwards compatible once burned, so you can burn with their special burner, then hand off to a client. They also promise to soon have specialty discs so you can print on the label face.
Bruce Dorn is a Canon explorer of light
and a photog who's jumped in head first to the DSLR video market. He's made a folow focus kit that makes it much easier to control focus when shooting video on a DSLR. The device is less complex than other units, as it uses a skateboard style wheel that makes gentle contact with the existing rubber rings on a camera. I played with it hands on and it looks worth testing.
I'll be doing a more detailed write-up soon.
This little beauty can mount on the camera hot show and give you a threaded mount. This will be perfect to attach an audio recorder to the top of my camera for DSLR Cinema projects. You can mount a variety of audio or video hardware directly to the camera. You can also rotate the mounting plate to a better angle as needed (works well if attaching a light or monitor).
The Fat Gecko is a dual suction cup mount that can be adhered to a smooth, non-porous surface (like mirrors, cars, airplanes.) It appears rugged, but is still very cost affordable (I would still recommend using a safety chain... but I am paranoid when it coms to gear and insurance).
You can see videos of the product in use at www.fat-gecko.com.
But Lensbaby keeps putting out great new products. They released a new option, a fisheye optic, that drops into their Composer lens.
The lens won't work with the Control Freak lens. I'm told because it goes soe wide that you actually see the control cabels on the lens.
That was my day... I saw a few more products I like and will try to post. The show runs through Saturday, October 24.
Drobo Pro
I spent a lot of time looking at the Drobo Pro in-depth.What's also nice is that you get two options of data redundancy. The Drobo can have protectio so one or two drives can fail and your data is still safe.
The Drobo also offers three interface connections:
- FireWire 800
- USB 2.0
- iSCSI (utilizes Gigabit Ethernet)
It's iSCSI that promse some great options for perfomance.
What I also like is that the Drobo Pro can be rackmounted or placed on a desk.
Hoodman HoodEYE 3.0
I'm
I am particularly interested as we are exploring using loupes like viewfinders for shooting video on DSLR cameras. Having the extraeyecup really does make a difference, but it is a very personal choice.
Installation as an upgrade took only a minute, you can also order a new loop with the modified eyepiece include. They're also offering straps so you can attach the viewfinder. I'm up in the air on this one (compared to a Zacutto viewfinder). This is a much more affordable approach. I do prefer this loop (as a director) so its easier to go aroudn and check cameras, we'll try it as an active viewfinder next week and wil let you know how it does.
Millenniata Archival Media
TheMillenniata has tried to solve this with their Write Once, Read Forever. The discs are based upon obsidian stone (and I tried to get more out of them.. but trade secrets). The burners use more energy to burn and the surface of the disc is MUCH harder. The results are a disc that is etched (as opposed to just using dye)
While its not a cheap solution, (around $1800 list price for the drive and starter pack) the Millenniata folks are offering optical media that looks the test of time. The discs are also much better able to withstand temperature and physical damage. What's also great is the media is backwards compatible once burned, so you can burn with their special burner, then hand off to a client. They also promise to soon have specialty discs so you can print on the label face.
iDC Follow-Focus
Bruce Dorn is a Canon explorer of light
- It currently only works with Cannon lenses (although I am willing to try and make it work with Nikon)
- 24mm f1.4 L
- 35mm f1.4 L
- 50mm f1.2 L
- 100mm f2.8 Macro
- 135mm f2 L
- 16-35mm f2.8 L
- 24-70mm f.28 IS L
- 24-105mm f4 IS L
- 85mm f1.2 L
- 135mm f2 L
- 200mm f2.8 L
I'll be doing a more detailed write-up soon.
Manfrotto 482 Micro Ball Head
I stopped in at B&H on the way over to the convention center.- height: 2.52 in
- lateral tilt: -90° / +90° tilt range
- load capacity: 4.41 lbs
- material: aluminum
- weight: 0.33 lbs
Fat Gecko Camera Mount
The folks over at Delkin Devices have comeout with an affordable mount for DSLR cameras.- Suction cups can hold a eight pound camera
- Double knuckle design and 2" extension tube allow for 360° tilt, 360° turn & 360° rotation
- The ¼ x 20 tripod mounting screw allows for use with most digital still or or small video cameras on the market
- Suction cups use a quick release function to make attaching and detaching you camera easier
- Steel frame construction is rugged and durable
- Four adjustable joints make it easy to tweak the shot
You can see videos of the product in use at www.fat-gecko.com.
Lensbaby Fisheye Optic
Some people love them (I am a fan) others hate them.- Ultra-wide 12mm focal length
- 160 degree field of view captures
- Minimum focus: 1" from front of optic
- f/4 optic with aperture disks that range from f/5.6 to f/22
- Designed for use with the Composer, and can also be used with the Muse with a special adapter
The lens won't work with the Control Freak lens. I'm told because it goes soe wide that you actually see the control cabels on the lens.
That was my day... I saw a few more products I like and will try to post. The show runs through Saturday, October 24.
Canon to Add Support for 24P on the 5D Mark II
Tuesday, October 20 ,2009
Canon today announces that it is currently developing a firmware update to the EOS 5D Mark II to enable the recording of high definition 1080p video at 24 and 25fps.
This is good news.... but no mention of shooting at 60P in 720 mode like the 7D. That is more exciting to me for the options for slow motion effects.
The decision to develop new firmware to support these features has been taken following feedback received from cinematographers and photographers.
Can you say overwhelming feedback, forum posts, and blog posts. Wow... nice to see some companies actually listen to their customers.
Introduced in September 2008, the multi award-winning EOS 5D Mark II was the first DSLR product to offer full frame 1080p HD video recording, opening up a multitude of new creative possibilities for photo journalists, news photographers and amateur filmmakers.
Amateur... PLEASE. Could companies please stop talking down to their audiences. The camera and proper lenses and gear is a minimum $7,000 investment. That's not amateur. Also... can anyone tell me the difference between a photo journalist and a news photographer?
Since then, Canon has continued to develop its groundbreaking EOS Movie functionality, firstly with the firmware update to the EOS 5D Mark II that enabled manual exposure control, and more recently by introducing a choice of video recording frame rates with the EOS 7D and EOS-1D Mark IV
Both nice cameras and worth exploring. We're writing a book and shooting a music video right now with the 7D and 5D. We'll let you know about the process more soon..
Adorama also has a nice head to head coparison of the new Canon EOS-1 and Nikon D3S
Canon currently expects the firmware update to be made available during the first half of 2010. An announcement regarding details of the update and its availability will be made closer to the release date.
So please stop complaining... and asking us when... oh and first quarter means March 31... or maybe NAB in April.
View the original here.
New DSLR Video Training Title Available – UPDATE
Monday, October 19 ,2009
Editing Your DSLR Video on a Mac
Your DSLR shoots video! Cool right!? Now what? You've probably got more video than you know what to do with. Richard Harrington created this course to help you with how to edit that video footage (using Mac software). Rich covers everything from in-the-field tips all the way to post-production techniques using Final Cut Pro, Final Cut Express and iMovieBe sure to check the class out today.
Here's a link to the trailer for the video as well.
A Nice Sample of Tilt Shift + Timelapse Photogrpahy
Sunday, October 18 ,2009
Leave it to Disney to release something visually stunning. This is a great example of tilt shift photography and timelapse animation at the same time.
"See the Magic Kingdom at Walt Disney World in Florida from a whole new perspective. The exclusive video first featured on The Disney Parks Blog was created from a series of photos snapped inside the Magic Kingdom Park. Its a sunrise-to-sunset story told without words."
This is really a nice view.
"See the Magic Kingdom at Walt Disney World in Florida from a whole new perspective. The exclusive video first featured on The Disney Parks Blog was created from a series of photos snapped inside the Magic Kingdom Park. Its a sunrise-to-sunset story told without words."
This is really a nice view.
DLSR Video Screening Room #1
Wednesday, October 14 ,2009
I came across two great links today for some great DSLR Video.
The first entry shows some great footage from Egypyt and Lebannon shot with the Canon 5D
The next footage comes from Japan and I believe it is using the overcranked footage from the Canon 7D
The first entry shows some great footage from Egypyt and Lebannon shot with the Canon 5D
The next footage comes from Japan and I believe it is using the overcranked footage from the Canon 7D
The Moments Between, Episode 1: Japan from Trey Ratcliff on Vimeo.
Nikon Announces the New D3
Wednesday, October 14 ,2009
In case you missed it, Nikon announced an upgrade to their top product line. A new model, the D3s is coming soon. The camera looks to be a great upgrade, although for video lovers it's still using Motion JPEG compression (which is much grainier than H.264). The camera does over several other improvements that make it a nice upgrade.
- Scott Bourne has a nice write up on his blog
- So does Moose Peterson
Me? I'm still playing with my D300S and will have more to share on video mode soon.